Please use this identifier to cite or link to this item: http://hdl.handle.net/2067/48006
DC FieldValueLanguage
dc.contributor.authorLo Monaco, Angelait
dc.contributor.authorBalletti, Federicait
dc.contributor.authorAgresti, Giorgiait
dc.contributor.authorPelosi, Claudiait
dc.date.accessioned2022-06-22T20:01:41Z-
dc.date.available2022-06-22T20:01:41Z-
dc.date.issued2018it
dc.identifier.isbn978-88-942064-8-7it
dc.identifier.urihttp://hdl.handle.net/2067/48006-
dc.description.abstractThe attention to non-invasiveness in restoration operations, and even more in diagnostic investigations, is an approach based on respect for the materials that constitute the work of art. The materials of a work of art have a value. Therefore, every diagnostic analysis should have the character of the efficacy in relation to the prefixed purpose, usually connected to the restoration intervention. The diagnostic analysis is designed at establishing the most suitable intervention strategy aimed at ensuring the restoration and conservation of the artwork. Often diagnostic investigations are designed to study pigments to find information on their origin, on the pictorial technique used, to perform philological restorations. In the study of paintings, the diagnosis is requested for the support characterization with the identification of the textile fibers constituting the canvas and much more rarely with the identification of the wood botanical species. Sometimes, samples taken to fulfill a specific purpose may provide the opportunity for further analysis. In this case, it is a duty to give a report, even in a vision of respect for the work that begins properly with the knowledge of materials. This paper presents the analysis of a sample taken from the wood painting representing San Giorgio e it Drago (Saint George and the Dragon) exposed in the Municipal Gallery of Spoleto, a little town in Central Italy, aimed at determining the type of fiber and its morphological characteristics, and the botanical species of wood support.it
dc.format.mediumSTAMPAit
dc.language.isoengit
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleA contribution to the diagnostic study of the panel painting San Giorgio e il Drago preserved in municipal art gallery of Spoletoit
dc.typeconferenceObject*
dc.identifier.isi000440639300026it
dc.relation.journalKERMES BOOKSit
dc.relation.ispartofbookProc. of the 10th European Symposium on Religious Art, Restoration & Conservationit
dc.relation.firstpage114it
dc.relation.lastpage117it
dc.relation.numberofpages4it
dc.relation.projectConservation of religious cultural heriatageit
dc.relation.alleditorsSlamovír Magál, Dáša Mendelova, Dana Petranová and Nicolae Apostolescuit
dc.relation.conferencenameEuropean Symposium on Religious Art, Restoration & Conservation (ESRARC)it
dc.relation.conferenceplacePragueit
dc.relation.conferencedate31 May - 1 June 2018it
dc.subject.scientificsectorCHIM/01; CHIM/12; AGR/06it
dc.subject.ercsectorPE4; SH6_12it
dc.description.numberofauthors4it
dc.description.internationalnoit
dc.contributor.countryITAit
dc.type.refereeREF_2it
dc.type.invitednoit
dc.type.miur273*
dc.publisher.nameLexis Compagnia Editoriale in Torino srlit
dc.publisher.placeTorinoit
dc.publisher.countryITAit
item.fulltextWith Fulltext-
item.openairetypeconferenceObject-
item.cerifentitytypePublications-
item.grantfulltextrestricted-
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
crisitem.journal.journalissn2532-4381-
crisitem.journal.anceE241789-
Appears in Collections:D1. Contributo in Atti di convegno
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