Please use this identifier to cite or link to this item: http://hdl.handle.net/2067/47842
DC FieldValueLanguage
dc.contributor.authorNencioni, Giacomoit
dc.date.accessioned2022-05-31T11:13:45Z-
dc.date.available2022-05-31T11:13:45Z-
dc.date.issued2016it
dc.identifier.isbn9781137504562it
dc.identifier.urihttp://hdl.handle.net/2067/47842-
dc.description.abstractBringing together contributions from the fields of sociology, media and cultural studies, arts, politics, science and technology studies, political communication theory and popular culture studies, this volume engages both with theoretical debates and detailed empirical studies, showcasing how the public sphere is transformed by digital media, and in turn how this digital public sphere shapes and is shaped by debates surrounding crisis, conflict, migration and culture. Case studies from Bulgaria, Nigeria, China, Greece, Italy, Cyprus, UK, Mexico and India are discussed in detail.it
dc.format.mediumSTAMPAit
dc.language.isoengit
dc.titleYouTube, Migrant Rappers and the Early Cinema Aesthetics: Is There a Digital Public Sphere?it
dc.typebookPart*
dc.identifier.doi10.1057/978-1-137-50456-2it
dc.identifier.scopus2-s2.0-85028884130it
dc.identifier.urlhttps://api.elsevier.com/content/abstract/scopus_id/85028884130it
dc.relation.ispartofbookThe Digital Transformation of the Public Sphere Confl ict, Migration, Crisis and Culture in Digital Networksit
dc.relation.firstpagevit
dc.relation.lastpageviiit
dc.relation.alleditorsAthina Karatzogianni, Elisa Serafinelli, Dennis Nguyenit
dc.description.numberofauthors1it
dc.description.internationalnoit
dc.contributor.countryITAit
dc.type.refereeREF_1it
dc.type.miur268*
item.openairetypebookPart-
item.grantfulltextopen-
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
Appears in Collections:B1. Contributo in volume (Capitolo o Saggio)
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