Please use this identifier to cite or link to this item: http://hdl.handle.net/2067/43487
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dc.contributor.advisorGallavotti Cavallero, Daniela-
dc.contributor.advisorCristallini, Elisabetta-
dc.contributor.advisorOcchipinti, Carmelo-
dc.contributor.authorBertini, Federica-
dc.date.accessioned2021-06-10T16:14:15Z-
dc.date.accessioned2021-06-10T16:14:19Z-
dc.date.available2021-06-10T16:14:15Z-
dc.date.available2021-06-10T16:14:19Z-
dc.date.issued2017-12-18-
dc.identifier.urihttp://hdl.handle.net/2067/43487-
dc.descriptionDottorato di ricerca in Memoria e materia delle opere d'arte attraverso i processi di produzione, storicizzazione, conservazioe e musealizzazioneit
dc.description.abstractThe examination of Camerale I 1298 led to significant findings on pope Paul IV Carafa’s patronage of the arts and architecture. This document refers to the following three elements: pope Paul IV Carafa’s apartments in the Apostolic Palace, previously home to pope Julius III Del Monte; the secret chapel; and the tabernacle, today located inside the Duomo in Milan. Moreover this research studied the leading role of the architect Pirro Ligorio at pope Paul IV Carafa’s construction site as well as their rapport of mutual respect and friendship. Chapter XXII of Antonio Caracciolo’s De Vita Pauli IV published in 1612, also including a lost work by the architect, represents a fundamental evidence of pope Paul IV’s liberalitas, still little-known. In fact pope Paul IV used to reserve his liberalitas to artists and artisans who better satisfied his expectations. The controversial relationship between Pirro Ligorio and Giorgio Vasari was researched as well. The painter Pietro Venale, under the supervision of Ligorio, decorated some of the apartments’ most important rooms and the new Pope’s private chapel. Also the history of the tabernacle was reconstructed: designed by Ligorio for pope Paul IV and first meant to be placed in the private chapel, the tabernacle was later molten and modified by pope Pius IV Medici in 1560, and relocated inside the Duomo’s high altar in Milan.it
dc.language.isoitait
dc.publisherUniversità degli studi della Tuscia - Viterboit
dc.relation.ispartofseriesTesi di dottorato di ricerca;28. ciclo-
dc.subjectPaolo IVit
dc.subjectGiulio IIIit
dc.subjectPietro Venaleit
dc.subjectGiorgio Vasariit
dc.subjectTabernacoloit
dc.subjectPio IVit
dc.titleCommissioni artistiche e vicende storiche a confronto: Paolo IV Carafa e i cantieri in Vaticano attraverso lo studio delle fontiit
dc.title.alternativeArt on Commission and the comparison of historical facts: Pope Paul IV Carafa and the Vatican’s construction site.it
dc.typeDoctoral Thesisit
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessen
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypeDoctoral Thesis-
item.languageiso639-1it-
Appears in Collections:Archivio delle tesi di dottorato di ricerca
Archivio delle tesi di dottorato di ricerca
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