Please use this identifier to cite or link to this item: http://hdl.handle.net/2067/42430
DC FieldValueLanguage
dc.contributor.authorAgresti, G.it
dc.contributor.authorBonifazi, G.it
dc.contributor.authorCapobianco, G.it
dc.contributor.authorLanteri, Lucait
dc.contributor.authorPelosi, Claudiait
dc.contributor.authorSerranti, S.it
dc.contributor.authorVeneri, Antonellait
dc.date.accessioned2021-01-21T17:39:44Z-
dc.date.available2021-01-21T17:39:44Z-
dc.date.issued2019it
dc.identifier.isbn9781510627956it
dc.identifier.isbn9781510627963it
dc.identifier.urihttp://hdl.handle.net/2067/42430-
dc.description.abstractThe main purpose of this contribution is to report some first preliminary analyses of a new and never investigated decorative technique named Tattoo Wall (R), especially the possible changes due to ageing artificially induced by extreme humidity conditions in view of a possible application in crypts, churches or outside wall paintings This innovative decorating technique involves transferring digital images on wall surfaces through a transfer paper with solvent-based ink and fixative. For the experimental tests, we chose to work on a color scale as wide as possible, to test each single color, and on different materials. The printed colors were applied on hydraulic mortar, containing marble powder combined with Ledan C30, particularly suitable for restoration in environments with high relative humidity (RH%). Moisture ageing was obtained by placing the sample in a box with RH% fixed to 92% thanks to the presence of salts (sodium sulphate deca-hydrated) for compressively two years (96 weeks). Reflectance spectrophotometry for color measurements and hyperspectral imaging (HSI) were used to assess the effect of high relative humidity exposure. The experimental data were statistically treated in order to evaluate their significance. Testing enabled us to verify the stability and durability of Tattoo Wall (R) under high relative humidity, with little chromatic alterations. Testing could and should be conducted also on different surfaces and materials (paintings on canvas and wood, oil on wall, etc.) to make it as complete as possible and guarantee the use of Tattoo Wall (R) in most cases of pictorial reintegration, reducing the risk of human errorit
dc.format.mediumELETTRONICOit
dc.language.isoengit
dc.titleTattoo Wall: study of the stability of an innovative decorative technique through hyperspectral imaging and possible application in the mural painting’s restorationit
dc.typeconferenceObject*
dc.identifier.doi10.1117/12.2525726it
dc.identifier.scopus2-s2.0-85072650175it
dc.identifier.isi000502123500028it
dc.identifier.urlhttps://doi.org/10.1117/12.2525726it
dc.relation.journalPROCEEDINGS OF SPIE, THE INTERNATIONAL SOCIETY FOR OPTICAL ENGINEERINGit
dc.relation.seriesOptics for Arts, Architecture, and Archaeologyit
dc.relation.ispartofbookOptics for Arts, Architecture, and Archaeology VIIit
dc.relation.firstpage1it
dc.relation.lastpage13it
dc.relation.numberofpages13it
dc.relation.article110581Git
dc.relation.projectMaterials for restorationit
dc.relation.alleditorsHaida Liang, Roger Groves, Piotr Targowskiit
dc.relation.conferencenameSPIE OPTICAL METROLOGYit
dc.relation.conferenceplaceMunich (Germany)it
dc.relation.conferencedate24-27 June 2019it
dc.relation.volume11058it
dc.subject.scientificsectorCHIM/01it
dc.subject.ercsectorPE4it
dc.description.numberofauthors7it
dc.description.internationalnoit
dc.contributor.countryITAit
dc.type.refereeREF_1it
dc.type.invitednoit
dc.type.miur273it
dc.publisher.nameSPIEit
dc.publisher.placeBellingham, WAit
dc.publisher.countryUSAit
item.fulltextWith Fulltext-
item.openairetypeconferenceObject-
item.cerifentitytypePublications-
item.grantfulltextrestricted-
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
crisitem.journal.journalissn0277-786X-
crisitem.journal.anceE136238-
Appears in Collections:D1. Contributo in Atti di convegno
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