Please use this identifier to cite or link to this item: http://hdl.handle.net/2067/1323
Title: I gialli di piombo, stagno, antimonio: le opere di Poussin a Saraceni
Authors: Pelosi, Claudia
Santamaria, Ulderico
Morresi, Fabio
Agresti, Giorgia
De Santis, Alberto
Mattei, Elisabetta
Keywords: pigmenti gialli di sintesi;spettroscopia micro-Raman;SEM-EDS;spettrocolorimetria
Issue Date: Sep-2007
Publisher: Pàtron Editore
Source: C. Pelosi, U. Santamaria, F. Morresi, G. Agresti, A. De Santis, E. Mattei, I gialli di piombo, stagno, antimonio: le opere di Poussin e Saraceni, Atti del IV Congresso Nazionale di Archeometria Scienza e Beni Culturali, Pisa, 1-3 febbraio 2006, Pàtron Editore. Bologna, 2007, pp. 81-94.
Abstract: 
In order to characterize the yellow pigments utilized by Carlo Saraceni in The Martyrdom St Erasmus (1612-14), Cathedral of Gaeta (Lt),and by Nicolas Poussin in The Gedeone’s Victory over Madianiti (1623-26) and The Martyrdom St Erasmus both finding at Vatican’s Museum had been applied: micro-Raman spectroscopy, fluorescence X, SEM with micro-analysis EDS, observations at optic-mineralogical microscope and spectro colorimetric analysis; some of these methods were applied on artworks directly, others by micro-pattern taken over paintings. The same investigations had been applied also over others patterns of yellow pigments having the same typology of materials employed by painters and that had been retrieved by commerce from the firms of Kremer and Zecchi.
URI: http://hdl.handle.net/2067/1323
ISBN: 978-88-555-2939-6
Rights: If not otherwise stated, this document is distributed by the Tuscia University Open Archive under a Creative Commons 2.0 Attribution - Noncommercial - Noderivs License (http://creativecommons.org/licenses/by-nc-nd/2.0/)
Appears in Collections:DISBEC - Archivio della produzione scientifica

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