Poesia e Musica: Le liriche di Giuseppe Ungaretti nell'interpretazione musicale di Ildebrando Pizzetti
Author(s)
Gatti, Daniele
Date Issued
August 5, 2010
Type
Thesis
Abstract
It is already possible from the title of the dissertation, Poesia e Musica: le liriche di Giuseppe Ungaretti nell’interpretazione musicale di Ildebrando Pizzetti, to understand and recognize the most important points which determined it.
In fact, in the work of these two big Italian artists, poetry and music match together: so as Ungaretti searched the rhythm and the music into the line, Pizzetti expressed a firm skill in elaborating solutions into the “word”.
Music for the poet and poetry for the musician came to determine a common field of experimentation which were not to delay to show itself in an artist sodality .
The pretext was the publication in the 1933 of the collection Sentimento del Tempo written by Ungaretti.
The reading of "La Pietà" one of the poetry of the collection, touched so much Pizzetti who in a letter to Ungaretti wrote: «I do not Know if it is the most beautiful but it is the one that touched me most» arising in this way the inspiration to set it to music together with Trasfigurazione (another Ungaretti’s poetry, written some year earlier).
Beside the musical analysis, the attention was also focused on the superimposition of the comparative characteristic between music and poetry. Then, I examined, in detail, the choices made by the composer, in order to allow the revival of the poetries spirit.
To deeply understand the meaning of this work, I suggest looking over the scores enclosed in the dissertation and using the recording attached to a CD.
Have a nice listening
Additional information
Tesi di laurea di 2. livello in Lingue e letterature straniere moderne. Corso di laurea in Filologia Moderna. A. a. 2007/2008. Relatore Prof.ssa Francesca Petrocchi. Correlatore Prof. Franco Carlo Ricci
File(s)![Thumbnail Image]()
Name
dgatti_tesi_ii.pdf
Size
3.24 MB
Format
Adobe PDF
Checksum (MD5)
78ea587b149cc96a5a49f51a8c1cfe2c