| Issue Date | Title | Author(s) |
| 2017 | Analysis of three paintings by Mattia Preti from Wignacourt College Museum, Rabat (Malta) | Pelosi, Claudia ; Agresti, Giorgia; Baraldi, Pietro |
| 2017 | Application of micro-Raman spectroscopy for conservation projects in art and archaeology with a case study on Cappadocia rock-hewn wall paintings. Archeomatica | Baraldi, Pietro; Baraldi, Cecilia; Pelosi, Claudia |
| 2016 | Micro-Raman and micro-stratigraphic analysis of the painting materials in the rock-hewn church of the Forty Martyrs in Şahinefendi, Cappadocia (Turkey) | Pelosi, Claudia ; Agresti, Giorgia; Andaloro, Maria; Baraldi, Pietro; Pogliani, Paola ; Santamaria, Ulderico ; La Russa, Mauro Francesco; Ruffolo, Silvio Antonio; Rovella, Natalia |
| 2011 | Il restauro di una grande scultura in terracotta: un modello di Gaspare Sibilla per il restauro del Nilo Vaticano. Trattamento di pulitura laser | Baraldi, Pietro; Barberini, Maria Giulia; Fodaro, Davide; Pelosi, Claudia; Sforzini, Livia |
| 2014 | Study of the technique and of the materials of a 19th C. polychrome wood mask from Papua New Guinea. Archaeometry | Baraldi, Pietro; Lo Monaco, Angela ; Ortenzi, Floriana; Pelosi, Claudia ; Quarato, Francesca; Rossi, Luciana |
| 2017 | The terracotta modelli of Palazzo Venezia in Rome: Investigation of the constituent materials for fundamental knowledge and to aid conservation decisions | Pelosi, Claudia ; Fodaro, Davide; Sforzini, Livia; Falcucci, Claudio; Baraldi, Pietro |
| 2018 | The “Slash of light” in the late religious paintings of Mattia Preti: technique and materials | Pelosi, Claudia ; Agresti, Giorgia; Baraldi, Pietro |
| 2016 | Yellow pigments based on lead, tin and antimony: ancient recipes, synthesis, characterization and hue choice in artworks | Agresti, Giorgia; Baraldi, Pietro; Pelosi, Claudia ; Santamaria, Ulderico |