Browsing by Author Agresti, Giorgia
Showing results 28 to 44 of 44
< previous
| Issue Date | Title | Author(s) |
|---|---|---|
| 2017 | Scientific investigation for a possible conservation project of the wooden door of the Bregno’s aedicule | Balletti, Federica; Lo Monaco, Angela ; Agresti, Giorgia; Calienno, Luca; Pelosi, Claudia |
| 2021 | Spectroscopic investigation of Cappadocia proto-Byzantine paintings | Sbroscia, Marco; Pelosi, Claudia ; Agresti, Giorgia; Paolucci, Alessio; Pogliani, Paola ; Ruggiero, Ludovica; Sodo, Armida |
| 2016 | Spectroscopic investigation of metal and amber objects from the bronze-age site of Fondarca | Agresti, Giorgia; Pelosi, Claudia ; Santamaria, Ulderico |
| 2016 | Study of consolidating materials applied on wood by hyperspectral imaging | Bonifazi, Giuseppe; Serranti, Silvia; Capobianco, Giuseppe; Agresti, Giorgia; Calienno, Luca; Picchio, Rodolfo ; Lo Monaco, Angela ; Santamaria, Ulderico ; Pelosi, Claudia |
| 2015 | Technical properties of beech wood from aged coppices in central Italy | Lo Monaco, Angela ; Calienno, Luca; Pelosi, Claudia ; Balletti, Federica; Agresti, Giorgia; Picchio, Rodolfo |
| 2016 | The conservation of a “Virgin Carmen” artwork and history of sailors devotion | Parisi, Cetty; Pelosi, Claudia ; Agresti, Giorgia |
| 2016 | The conservation project of a liturgical object: the case of Infant Jesus of Prague in the church of Saint Mary of Providence at Macchia Giarre (Italy) | Parisi, Cetty; Pelosi, Claudia ; Santamaria, Ulderico ; Pogliani, Paola ; Agresti, Giorgia; Longo, Sveva |
| 2016 | The Crucifixion: a panel painting in the museum of Colle del Duomo in Viterbo (Italy). New insights in the light of a first analytical campaign | Agresti, Giorgia; Gnignera, Elisabetta; Pelosi, Claudia ; Rocca, Antonio; Serone, Gianpaolo; Santamaria, Ulderico |
| 2018 | The importance of diagnostic investigation to reveal hidden paintings | Luciani, Giuseppe; Pelosi, Claudia ; Agresti, Giorgia; Lo Monaco, Angela |
| 2018 | The rediscovery of religious art in Francesco Nagni and the diagnostic study of selected artefacts | Parisi, Cetty; Pelosi, Claudia ; Agresti, Giorgia |
| 2016 | The wooden door of the Bregno’s aedicule in the church of Santa Maria della Quercia in Viterbo | Balletti, Federica; Lo Monaco, Angela ; Agresti, Giorgia; Calienno, Luca; Pelosi, Claudia |
| 2018 | The “Slash of light” in the late religious paintings of Mattia Preti: technique and materials | Pelosi, Claudia ; Agresti, Giorgia; Baraldi, Pietro |
| 2010 | Wood of chestnut in cultural heritage | Agresti, Giorgia; Genco, Giorgia; Giagnacovo, Cristina; Pelosi, Claudia; Lo Monaco, Angela; Castorina, Roberta |
| 2018 | X-ray fluorescence investigation on yellow pigments based on lead, tin and antimony through the comparison between laboratory and portable instruments | Capobianco, Giuseppe; Pelosi, Claudia ; Agresti, Giorgia; Bonifazi, Giuseppe; Santamaria, Ulderico ; Serranti, Silvia |
| 2018 | X-ray fluorescence investigation on yellow pigments based on lead, tin and antimony through the comparison between laboratory and portable instruments | Capobianco, Giuseppe ; Pelosi, Claudia ; Agresti, Giorgia; Bonifazi, Giuseppe; Santamaria, Ulderico ; Serranti, Silvia |
| 2016 | Yellow pigments based on lead, tin and antimony: ancient recipes, synthesis, characterization and hue choice in artworks | Agresti, Giorgia; Baraldi, Pietro; Pelosi, Claudia ; Santamaria, Ulderico |
| 2020 | μXRF Mapping as a Powerful Technique for Investigating Metal Objects from the Archaeological Site of Ferento (Central Italy) | Capobianco, Giuseppe; Sferragatta, Adriana; Lanteri, Luca; Agresti, Giorgia; Bonifazi, Giuseppe; Serranti, Silvia; Pelosi, Claudia |