Showing results 10 to 29 of 70
< previous
next >
| Issue Date | Title | Author(s) |
| 2020 | Beyond the visible: the Viterbo Crucifixion panel painting attributed to Michelangelo Buonarroti | Pelosi, Claudia ; Angela, Bernabei; Mauro, Agresti; Giorgia, Colantonio; Claudia, Perri; Antonio, Comelli; Daniela, Valentini; Cristian; Lo Monaco, Angela ; Bernabei, M.; Agresti, G.; Colantonio, C.; Perri, A.; Comelli, D.; Gianluca Valentini, G.; Manzoni, C. |
| 2014 | Chromatic variations of wood surface due to laser cleaning | Lo Monaco, Angela ; Picchio, R.; Balletti, F.; Agresti, G.; Fodaro, D.; Ventsislavova Nedelcheva, T.; Pelosi, C. |
| 2014 | Chromatic Variations of Wood Surface Due to Laser Irradiation | Lo Monaco, A.; Picchio, R.; Balletti, F.; Agresti, G.; Fodaro, D.; Ventsislavova Nedelcheva, T.; Pelosi, Claudia |
| 2013 | Colour modifications and hyperspectral imaging | Agresti, G.; Bonifazi, G.; Calienno, L.; Capobianco, G.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, Rodolfo ; Serranti, S. |
| 2016 | THE CONSERVATION OF A VIRGIN CARMEN ARTWORK AND HISTORY OF SAILORS DEVOTION | Parisi, C.; Pelosi, Claudia ; Agresti, G. |
| 2016 | The conservation project of a liturgical object | Parisi, C.; Pelosi, Claudia ; Santamaria, U.; Pogliani, Paola ; Agresti, G.; Longo, S. |
| 2016 | THE CRUCIFIXION | Agresti, G.; Gnignera, E.; Pelosi, Claudia ; Rocca, A.; Serone, G.; Santamaria, U. |
| 2019 | The diagnostic investigation through minimal sampling for religious artworks knowledge: some case studies | Pelosi, Claudia ; Balletti, F.; Agresti, G.; Lo Monaco, Angela ; Angela |
| 2019 | Diagnostic investigation through minimal sampling for religious artworks knowlwdge | Pelosi, C.; Federica Balletti, F.; Agresti, G.; Lo Monaco, Angela |
| 2019 | Diagnostic investigation through minimal sampling sampling for religious artworks knowledge | Pelosi, Claudia ; Balletti, F.; Agresti, G.; Lo Monaco, A. |
| 2019 | Documentation and analysis of the colours in the architectural elements of the St. Sepolcro of Acquapendente (Italy) | Lanteri, L.; Agresti, G.; Vaccarella, C.; Pelosi, Claudia |
| 2016 | Documentation and Scientific Investigation on the Crucifixion by Balletta in the church of Santa Maria Nova in Viterbo (Italy). Conservation and religious requirements | Pelosi, Claudia ; Lanteri, L.; Agresti, G.; Santamaria, U. |
| 2016 | Documentation and Scientific Investigation on the ‘Crucifixion' by Balletta in the church of Santa Maria Nova in Viterbo (Italy). Conservation and Religious Requirements | Pelosi, C.; Lanteri, L.; Agresti, G.; Santamaria, Ulderico |
| 2015 | Effect of protective materials on wood colour changes | Agresti, G.; Calienno, L.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, R.; Scacchi, M. |
| 2013 | Experimental investigation on colour and chemical modifications of normal and red heartwood beech (Fagus sylvatica L.) | Agresti, G.; Calienno, L.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, Rodolfo |
| 2013 | Experimental investigation on colour chemical modification of Normal and red heartwood beech (Fagus sylvatica L.) | Lo Monaco, Angela ; Agresti, G.; Calienno, L.; Pelosi, C.; Picchio, R. |
| 2020 | Experimental tests for evaluating the stability of a new nano-silica based protective for Sperone stone in comparison to traditional products | Pelosi, Claudia ; Lanteri, L.; Agresti, G.; Rubino, Gianluca ; Persia, F.; Bonifazi, G.; Serranti, S.; Capobianco, G. |
| 2017 | Francesco Nagni and the collection preserved at the Museum of Colle del Duomo (Viterbo) | Parisi, C.; Pelosi, Claudia ; Agresti, G. |
| 2019 | How to reveal the invisible: the fundamental role of diagnostics for religious painting investigation | Luciani, G.; Pelosi, Claudia ; Agresti, G.; Lo Monaco, Angela ; Angela |
| 2019 | How to reveal the invisible: the fundamental role of diagnostics for religious painting investigation 209-220 | Luciani, G.; Pelosi, Claudia ; Agresti, G.; Lo Monaco, A. |