Showing results 6 to 22 of 22
< previous
Issue Date | Title | Author(s) |
2019 | Documentation and analysis of the colours in the architectural elements of the St. Sepolcro of Acquapendente (Italy) | Lanteri, Luca ; Agresti, G. ; Vaccarella, C.; Pelosi, Claudia |
2020 | Experimental tests for evaluating the stability of a new nano-silica based protective for Sperone stone in comparison to traditional products | Pelosi, Claudia ; Lanteri, Luca ; Agresti, G. ; Rubino, Gianluca ; Persia, F. ; Bonifazi, G. ; Serranti, S. ; Capobianco, G. |
2019 | How to reveal the invisible: the fundamental role of diagnostics for religious painting investigation | Luciani, G; Pelosi, Claudia ; Agresti, G. ; Lo Monaco, Angela |
2020 | Hypercolorimetric multispectral Imaging and Pulse Compression thermography as innovative combined techniques for painting investigation: the case of a detached wall painting by Pastura | Agresti, G. ; Burrascano, P; Calabrò, G. ; Colantonio, Claudia ; Lanteri, Luca ; Laureti, Stefano ; Melis, M; Pelosi, Claudia ; Ricci, M; Sfarra, S |
2020 | Hyperspectral imaging as powerful technique for evaluating the stability of Tattoo Wall® | Agresti, G. ; Bonifazi, G. ; Capobianco, G. ; Lanteri, Luca ; Pelosi, Claudia ; Serranti, S. ; Veneri, A. |
2020 | Influence of thermal treatment on selected properties of chestnut wood and full range of its visual features | Lo Monaco, Angela ; Pelosi, Claudia ; Agresti, G. ; Picchio, Rodolfo ; Rubino, Gianluca |
2020 | Investigation of some wooden decorated elements and restoration of the choir in the cathedral of San Rufino in Assisi | Lo Monaco, Angela ; Saccuman, R; Agresti, G. ; Mancini, T.; Balletti, F.; Schirone, A.; Pelosi, Claudia |
2021 | Investigation of surface patinae on religious marble artefacts | Lanteri, Luca ; Agresti, G. ; Pelosi, Claudia |
2021 | Investigation of surface patinae on religious marble artefacts | Lanteri, Luca ; Agresti, G. ; Pelosi, Claudia |
2020 | Multidisciplinary approach for the conservation of the Casoli triptych | Avanzati, D; Saccuman, R; Agresti, G. ; Faieta, R; Caliano, E; Pelosi, Claudia ; Lo Monaco, Angela |
2021 | Spectroscopic investigation of Cappadocia proto‐Byzantine paintings | Sbroscia, Marco; Pelosi, Claudia ; Agresti, G. ; Paolucci, Alessio; Pogliani, Paola ; Ruggiero, Ludovica; Sodo, Armida |
2019 | Tattoo Wall: study of the stability of an innovative decorative technique through hyperspectral imaging and possible application in the mural painting’s restoration | Agresti, G. ; Bonifazi, G. ; Capobianco, G. ; Lanteri, Luca ; Pelosi, Claudia ; Serranti, S. ; Veneri, Antonella |
2019 | The 16th century tryptic of Santa Liberata: diagnostics and restoration | Avanzati, D; Saccuman, R; Agresti, G. ; Faieta, R; Caliano, E; Pelosi, Claudia ; Lo Monaco, Angela |
2019 | The diagnostic investigation through minimal sampling for religious artworks knowledge: some case studies | Pelosi, Claudia ; Balletti, Federica; Agresti, G. ; Lo Monaco, Angela |
2020 | The mediaeval crypt of Saint Sepulchre in Acquapendente (Italy). Study and photogrammetric documentation of the painted surfaces | Lanteri, Luca ; Agresti, G. ; Vaccarella, C.; Lucchetti, L.; Noto, M.; Pelosi, Claudia |
2021 | Yellow Pigment Powders Based on Lead and Antimony: Particle Size and Colour Hue | Capobianco, G. ; Agresti, G. ; Bonifazi, G. ; Serranti, S. ; Pelosi, Claudia |
2020 | μXRF Mapping as a Powerful Technique for Investigating Metal Objects from the Archaeological Site of Ferento (Central Italy) | Capobianco, G. ; Sferragatta, Adriana; Lanteri, Luca ; Agresti, G. ; Bonifazi, G. ; Serranti, S. ; Pelosi, Claudia |