Browsing by Author Pelosi, Claudia

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Issue DateTitleAuthor(s)
2020Beyond the visible: The Viterbo Crucifixion panel painting attributed to Michelangelo BuonarrotiPelosi, Claudia ; Lo Monaco, Angela ; Bernabei, Mauro; Agresti, Giorgia; Colantonio, Claudia; Perri, Antonio; Comelli, Daniela; Valentini, Gianluca; Manzoni, Cristian
2012Biodeteriorigenous agents dwelling the wall paintings of the Holy Saviours Cave (Vallerano, Italy)Zucconi, L.; Gagliardi, M.; Isola, D.; Onofri, S.; Andaloro Mc; Pelosi, Claudia ; Pogliani, P.; Selbmann, Laura 
2014Cappadocian ignimbrite cave churchesLa Russa , M. F.; Ruffolo , S. A.; Rovella, N.; Belfiore , C. M.; Pogliani, P.; Pelosi, Claudia ; Andaloro, M.; Crisci , G. M.
2014Chromatic Variations of Wood Surface Due to Laser IrradiationLo Monaco, A.; Picchio, R.; Balletti, F.; Agresti, G.; Fodaro, D.; Ventsislavova Nedelcheva, T.; Pelosi, Claudia 
2014Colour and chemical changes on photodegraded beech wood with or without red heartwoodCalienno, L.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, R.
2013Colour modifications and hyperspectral imagingAgresti, G.; Bonifazi, G.; Calienno, L.; Capobianco, G.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, Rodolfo ; Serranti, S.
2017Conservation issues in hypogeum spcesGallo, D.; Zander, P.; Pelosi, Claudia 
2017The conservation of wooden historical works of artBalletti, F.; Pelosi, Claudia ; Lo Monaco, Angela 
2016The conservation project of a liturgical objectParisi, C.; Pelosi, Claudia ; Santamaria, U.; Pogliani, Paola ; Agresti, G.; Longo, S.
2016THE CRUCIFIXIONAgresti, G.; Gnignera, E.; Pelosi, Claudia ; Rocca, A.; Serone, G.; Santamaria, U.
2016Dendrochemical investigation on hexachlorohexane isomers (HCHs) in poplars by integrated study of micro.Fourier transform infrared spectrometry and gas chromatographyBernini, R.; Pelosi, Claudia ; Carastro, I.; Venanzi, R.; Di Filippo, A.; Piovesan, G.; Ronchi, B.; Danieli Pp
2019Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshopLaureti, Stefano; Colantonio, Claudia; Burrascano, Pietro; Melis, Marcello; CalabrĂ², Giuseppe ; Malekmohammadi, Hamed; Sfarra, Stefano; Ricci, Marco; Pelosi, Claudia 
2012The diagnostic analysis for the study and restoration of the wood model of the church of S. Maria della Consolazione in Todi (Italy)Baraldi, P.; Lo Monaco, Angela ; Mattei, E.; Pelosi, Claudia ; Santancini, M.
2019Documentation and analysis of the colours in the architectural elements of the St. Sepolcro of Acquapendente (Italy)Lanteri, L; Agresti, G; Vaccarella, C; Pelosi, Claudia 
2016Documentation and Scientific Investigation on the Crucifixion by Balletta in the church of Santa Maria Nova in Viterbo (Italy). Conservation and religious requirementsPelosi, Claudia ; Lanteri, L.; Agresti, G.; Santamaria, U.
2016DORIA REPOSITORYSforzini, L.; Piccardo, P.; Bongiorno, V.; Vernet, J.; Fodaro, D.; Lo Monaco, A.; Martini, P.; Franceschini, E.; Pelosi, Claudia 
2015Effect of protective materials on wood colour changesAgresti, G.; Calienno, L.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, R.; Scacchi, M.
2019Enzyme-Lignin Nanocapsules Are Sustainable Catalysts and Vehicles for the Preparation of Unique Polyvalent BioinksCapecchi, Eliana; Piccinino, Davide; Bizzarri, Bruno Mattia; Avitabile, Daniele; Pelosi, Claudia ; Colantonio, Claudia; CalabrĂ², Giuseppe; Saladino, Raffaele 
2020European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on ChinaMontanari, Riccardo; Murakami, Nobuyuki; Colomban, Philippe; Alberghina, Maria Francesca; Pelosi, Claudia ; Schiavone, Salvatore