DSpace CRIS
DSpace-CRIS consists of a data model describing objects of interest to Research and Development and a set of tools to manage the data. Standard DSpace is used to deal with publications and data sets, whereas DSpace-CRIS involves other CRIS entities: Researcher Pages, Projects, Organization Units and Second Level Dynamic Objects (single entities specialized by a profile, such as Journal, Prize, Event etc; because any profile can define its own set of properties and nested objects)
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Browsing by Author Pelosi, Claudia
Showing results 21 to 40 of 103
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| Issue Date | Title | Author(s) |
|---|---|---|
| 2016 | The conservation project of a liturgical object | Parisi, C.; Pelosi, Claudia ; Santamaria, U.; Pogliani, Paola ; Agresti, G.; Longo, S. |
| 2016 | THE CRUCIFIXION | Agresti, G.; Gnignera, E.; Pelosi, Claudia ; Rocca, A.; Serone, G.; Santamaria, U. |
| 2016 | Dendrochemical investigation on hexachlorohexane isomers (HCHs) in poplars by integrated study of micro.Fourier transform infrared spectrometry and gas chromatography | Bernini, R.; Pelosi, Claudia ; Carastro, I.; Venanzi, R.; Di Filippo, A.; Piovesan, G.; Ronchi, B.; Danieli Pp |
| 2019 | Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop | Laureti, Stefano; Colantonio, Claudia; Burrascano, Pietro; Melis, Marcello; Calabrò, Giuseppe ; Malekmohammadi, Hamed; Sfarra, Stefano; Ricci, Marco; Pelosi, Claudia |
| 2012 | The diagnostic analysis for the study and restoration of the wood model of the church of S. Maria della Consolazione in Todi (Italy) | Baraldi, P.; Lo Monaco, Angela ; Mattei, E.; Pelosi, Claudia ; Santancini, M. |
| 2019 | Documentation and analysis of the colours in the architectural elements of the St. Sepolcro of Acquapendente (Italy) | Lanteri, L; Agresti, G; Vaccarella, C; Pelosi, Claudia |
| 2016 | Documentation and Scientific Investigation on the Crucifixion by Balletta in the church of Santa Maria Nova in Viterbo (Italy). Conservation and religious requirements | Pelosi, Claudia ; Lanteri, L.; Agresti, G.; Santamaria, U. |
| 2016 | DORIA REPOSITORY | Sforzini, L.; Piccardo, P.; Bongiorno, V.; Vernet, J.; Fodaro, D.; Lo Monaco, A.; Martini, P.; Franceschini, E.; Pelosi, Claudia |
| 2015 | Effect of protective materials on wood colour changes | Agresti, G.; Calienno, L.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, R.; Scacchi, M. |
| 2019 | Enzyme-Lignin Nanocapsules Are Sustainable Catalysts and Vehicles for the Preparation of Unique Polyvalent Bioinks | Capecchi, Eliana; Piccinino, Davide; Bizzarri, Bruno Mattia; Avitabile, Daniele; Pelosi, Claudia ; Colantonio, Claudia; Calabrò, Giuseppe; Saladino, Raffaele |
| 2020 | European ceramic technology in the Far East: enamels and pigments in Japanese art from the 16th to the 20th century and their reverse influence on China | Montanari, Riccardo; Murakami, Nobuyuki; Colomban, Philippe; Alberghina, Maria Francesca; Pelosi, Claudia ; Schiavone, Salvatore |
| 2013 | Experimental investigation on colour and chemical modifications of normal and red heartwood beech (Fagus sylvatica L.) | Agresti, G.; Calienno, L.; Lo Monaco, Angela ; Pelosi, Claudia ; Picchio, Rodolfo |
| 2020 | Experimental tests for evaluating the stability of a new nano-silica based protective for Sperone stone in comparison to traditional products | Pelosi, Claudia ; Lanteri, L.; Agresti, G.; Rubino, Gianluca ; Persia, F.; Bonifazi, G.; Serranti, S.; Capobianco, G. |
| 2016 | THE FONDARCA CAVE AND CAVITIES USED AS A CULT PLACE DURING THE BRONZE AGE IN CENTRAL ITALY | Di Nocera, Gian Maria ; Pastura, G.; Pelosi, Claudia ; Pizzo, E.; Rossi, F.; Santamaria, U.; Agresti, G.; Bozzo, F.; Brocato, G.; Costa, P.; Gallo, E.; Marano, F.; Mascelloni, A.; Moresi, F. |
| 2017 | Francesco Nagni and the collection preserved at the Museum of Colle del Duomo (Viterbo) | Parisi, C.; Pelosi, Claudia ; Agresti, G. |
| 2019 | How to reveal the invisible: the fundamental role of diagnostics for religious painting investigation | Luciani, G; Pelosi, Claudia ; Agresti, G; Lo Monaco, Angela |
| 2020 | Hypercolorimetric multispectral Imaging and Pulse Compression thermography as innovative combined techniques for painting investigation: the case of a detached wall painting by Pastura | Agresti, G; Burrascano, P; Calabrò, G. ; Colantonio, C; Lanteri, L; Laureti, S; Melis, M; Pelosi, Claudia ; Ricci, M; Sfarra, S |
| 2017 | Hyperspectral imaging as a technique for investigating the effect of consolidating materials on wood | Bonifazi, G.; Pelosi, Claudia ; Pelos, C.; Serranti, S.; Capobianco, G.; Agresti, G.; Calienno, L.; Picchio, Rodolfo ; Lo Monaco, Angela ; Santamaria, U.; Pelosi (2016), C. |
| 2020 | Hyperspectral imaging as powerful technique for evaluating the stability of Tattoo Wall® | Agresti, G. ; Bonifazi, G. ; Capobianco, G. ; Lanteri, L. ; Pelosi, Claudia ; Serranti, S. ; Veneri, A. |
| 2013 | I materiali costitutivi di pianelle e legni dipinti del soffitto | Santamaria, Ulderico ; Pelosi, Claudia ; Agresti, A.; Claudia Pelosi; Giorgia Agresti |