<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>Unitus DSpace</title>
  <link rel="alternate" href="http://http://dspace.unitus.it:80" />
  <subtitle>The DSpace digital repository system captures, stores, indexes, preserves, and distributes digital research material.</subtitle>
  <id>http://http://dspace.unitus.it:80</id>
  <updated>2013-05-19T05:22:08Z</updated>
  <dc:date>2013-05-19T05:22:08Z</dc:date>
  <entry>
    <title>La messinscena dell'identità, teatro e teatralità nel romanzo inglese del Settecento.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/85" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/85</id>
    <updated>2011-01-25T10:06:26Z</updated>
    <published>2003-05-31T22:00:00Z</published>
    <summary type="text">Title: La messinscena dell'identità, teatro e teatralità nel romanzo inglese del Settecento.
Authors: Saggini, Francesca
Abstract: In Inghilterra l'affermazione del romanzo ebbe luogo in concomitanza con delle profonde trasformazioni politiche, sociali ed economiche che interessarono fortemente anche l'universo teatrale. Se il dramma della Restaurazione e del periodo georgiano è stato tuttavia oggetto di studi puntuali, intenti a ricostruire i contesti del genere e a individuare le sue componenti ideologiche, sociali e persino sessuali, la relazione tra le scene settecentesche e il novel è tuttora considerata un campo di ricerca secondario, riservato a studi specialistici e settoriali. L'analisi incrociata di tre romanzi di Frances Burney (1752-1840) (Evelina, 1778, Cecilia, 1782 e The Wanderer, 1814) e della commedia giovanile The Witlings (c. 1779) ci permette di ricordare come il radicato pregiudizio antiteatrale abbia spinto molti autori inglesi del Settecento a una teatralizzazione indiretta delle proprie opere, attraverso una complessa transmodalizzazione dei drammi coevi che riscopre l'innegabile co-testualità, tipica dell'epoca, tra i nuovi testi romanzeschi e la più consolidata tradizione drammatica.</summary>
    <dc:date>2003-05-31T22:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Stranger Next Door: Identity and Diversity on the Late Eighteenth-Century Stage</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/27" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/27</id>
    <updated>2011-01-25T10:06:55Z</updated>
    <published>2002-12-31T23:00:00Z</published>
    <summary type="text">Title: The Stranger Next Door: Identity and Diversity on the Late Eighteenth-Century Stage
Authors: Saggini, Francesca</summary>
    <dc:date>2002-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Women in British Romantic Theatre and Drama</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/28" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/28</id>
    <updated>2011-01-25T10:06:55Z</updated>
    <published>1999-12-31T23:00:00Z</published>
    <summary type="text">Title: Women in British Romantic Theatre and Drama
Authors: Saggini, Francesca</summary>
    <dc:date>1999-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Private Eyes: spazi di genere e countersociability nelle riletture della Restaurazione.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/29" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/29</id>
    <updated>2011-01-25T10:06:55Z</updated>
    <published>2005-04-30T22:00:00Z</published>
    <summary type="text">Title: Private Eyes: spazi di genere e countersociability nelle riletture della Restaurazione.
Authors: Saggini, Francesca</summary>
    <dc:date>2005-04-30T22:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Un posto al sole anche per te: i grand ex-pats e la riproduzione del reale</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/30" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/30</id>
    <updated>2011-01-25T10:06:56Z</updated>
    <published>2004-12-31T23:00:00Z</published>
    <summary type="text">Title: Un posto al sole anche per te: i grand ex-pats e la riproduzione del reale
Authors: Saggini, Francesca</summary>
    <dc:date>2004-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Nature to Advantage (Un)dressed. interdiscorsività, parodia e trasposizione in 'Fanny' di Erica Jong.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/35" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/35</id>
    <updated>2011-01-25T10:06:56Z</updated>
    <published>2001-12-31T23:00:00Z</published>
    <summary type="text">Title: "Nature to Advantage (Un)dressed. interdiscorsività, parodia e trasposizione in 'Fanny' di Erica Jong.
Authors: Saggini, Francesca</summary>
    <dc:date>2001-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Mother...is not quite herself today." (Re)constructions of Femininity in Sixties Popular Culture.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/41" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/41</id>
    <updated>2011-01-25T10:07:06Z</updated>
    <published>2002-12-31T23:00:00Z</published>
    <summary type="text">Title: "Mother...is not quite herself today." (Re)constructions of Femininity in Sixties Popular Culture.
Authors: Saggini, Francesca</summary>
    <dc:date>2002-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Between Life and After: Christina Rossetti's Liminal Voices.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/39" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/39</id>
    <updated>2011-01-25T10:07:26Z</updated>
    <published>1999-12-31T23:00:00Z</published>
    <summary type="text">Title: Between Life and After: Christina Rossetti's Liminal Voices.
Authors: Saggini, Francesca</summary>
    <dc:date>1999-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Attraverso lo specchio: Lives of Girls and Women come bildungsroman femminile.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/40" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/40</id>
    <updated>2011-01-25T10:07:26Z</updated>
    <published>1995-12-31T23:00:00Z</published>
    <summary type="text">Title: Attraverso lo specchio: Lives of Girls and Women come bildungsroman femminile.
Authors: Saggini, Francesca</summary>
    <dc:date>1995-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Corpo a corpo con la passione: Maude, la maschera e l'Ombra.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/38" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/38</id>
    <updated>2011-01-25T10:07:27Z</updated>
    <published>1996-12-31T23:00:00Z</published>
    <summary type="text">Title: Corpo a corpo con la passione: Maude, la maschera e l'Ombra.
Authors: Saggini, Francesca</summary>
    <dc:date>1996-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Fanny Hill e i graffiti dell'eros.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/36" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/36</id>
    <updated>2011-01-25T10:06:52Z</updated>
    <published>1994-12-31T23:00:00Z</published>
    <summary type="text">Title: Fanny Hill e i graffiti dell'eros.
Authors: Saggini, Francesca</summary>
    <dc:date>1994-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>From Evelina to The Woman-Hater: Frances Burney and the Joyce of Dramatic Rewriting.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/37" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/37</id>
    <updated>2011-01-25T10:06:56Z</updated>
    <published>1999-12-31T23:00:00Z</published>
    <summary type="text">Title: From Evelina to The Woman-Hater: Frances Burney and the Joyce of Dramatic Rewriting.
Authors: Saggini, Francesca</summary>
    <dc:date>1999-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Identità a soggetto. Figurazioni dell'attore nella cultura inglese del Settecento.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/34" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/34</id>
    <updated>2011-01-25T10:06:57Z</updated>
    <published>2002-12-31T23:00:00Z</published>
    <summary type="text">Title: Identità a soggetto. Figurazioni dell'attore nella cultura inglese del Settecento.
Authors: Saggini, Francesca</summary>
    <dc:date>2002-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Il cannibale dell'anima: Swift tradotto per Carabba</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/32" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/32</id>
    <updated>2011-01-25T10:06:57Z</updated>
    <published>1998-12-31T23:00:00Z</published>
    <summary type="text">Title: Il cannibale dell'anima: Swift tradotto per Carabba
Authors: Saggini, Francesca</summary>
    <dc:date>1998-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The Art of Fine Drama: Inchbald’s Remarks on the British Theatre and the Aesthetic Experience of the Late Eighteenth-Century Theatre Goer</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/188" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/188</id>
    <updated>2011-01-25T10:09:10Z</updated>
    <published>2005-05-31T22:00:00Z</published>
    <summary type="text">Title: The Art of Fine Drama: Inchbald’s Remarks on the British Theatre and the Aesthetic Experience of the Late Eighteenth-Century Theatre Goer
Authors: Saggini, Francesca</summary>
    <dc:date>2005-05-31T22:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Memories Beyond the Pale: The Eighteenth-century Actress Between Stage and Closet</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/189" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/189</id>
    <updated>2011-01-25T10:09:58Z</updated>
    <published>2004-05-31T22:00:00Z</published>
    <summary type="text">Title: Memories Beyond the Pale: The Eighteenth-century Actress Between Stage and Closet
Authors: Saggini, Francesca</summary>
    <dc:date>2004-05-31T22:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Transporting Scenes: Motion and Sensation on the Victorian Stage</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/190" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/190</id>
    <updated>2011-01-25T10:10:02Z</updated>
    <published>2005-12-31T23:00:00Z</published>
    <summary type="text">Title: Transporting Scenes: Motion and Sensation on the Victorian Stage
Authors: Saggini, Francesca</summary>
    <dc:date>2005-12-31T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>"Sì, viaggiare!": macchine e sensazione nell’immaginario teatrale vittoriano.</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/191" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/191</id>
    <updated>2011-01-25T10:10:04Z</updated>
    <published>2005-11-30T23:00:00Z</published>
    <summary type="text">Title: "Sì, viaggiare!": macchine e sensazione nell’immaginario teatrale vittoriano.
Authors: Saggini, Francesca</summary>
    <dc:date>2005-11-30T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Il teatro e la città: spazi eterotopici e performatività urbana in "The Man with the Twisted Lip"  di Arthur Conan Doyle</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/657" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/657</id>
    <updated>2011-01-25T10:16:46Z</updated>
    <published>2009-02-28T23:00:00Z</published>
    <summary type="text">Title: Il teatro e la città: spazi eterotopici e performatività urbana in "The Man with the Twisted Lip"  di Arthur Conan Doyle
Authors: Saggini, Francesca</summary>
    <dc:date>2009-02-28T23:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Dracula's Classmates. Bram Stoker and the strange case of the incidental student</title>
    <link rel="alternate" href="http://hdl.handle.net/2067/1015" />
    <author>
      <name>Saggini, Francesca</name>
    </author>
    <id>http://hdl.handle.net/2067/1015</id>
    <updated>2011-01-25T10:23:31Z</updated>
    <published>2010-08-27T22:00:00Z</published>
    <summary type="text">Title: Dracula's Classmates. Bram Stoker and the strange case of the incidental student
Authors: Saggini, Francesca</summary>
    <dc:date>2010-08-27T22:00:00Z</dc:date>
  </entry>
</feed>

